Guy stages a fake occult secret society meeting, then orders pizza
San Diego photographer Tim King recently hosted a secret society-themed party for eight of his friends, complete with robes, masks, and a soundtrack provided by the “chanting monks” Pandora station. Then he ordered a pizza delivery, turned on a video camera, and waited.
See this is a prank. It’s fun, it’s funny, it doesn’t hurt anyone, and it gives the guy getting pranked a good story to tell with no skin off his back.
I almost forgot that pranks could be funny.
This is how you prank.
Meet the Mona Lisa of the Prado, the earliest known copy of Da Vinci’s best portrait. Similarity in the undersketch of the painting indicates that this was very likely painted concurrently with the original Mona Lisa, by a student of Da Vinci.
There is much controversy in the art world over the question of whether or not to clean the fragile Mona Lisa, but her sister has been restored and some fairly odd later alterations removed to show the original vibrant colors and lighting. Some details, such as the sheerness of her shawl and the pattern on the neckline of her dress, have become utterly obscured in the original, but in the restored copy they’re perfectly clear.
It blows my mind a little bit to look at these two sisters side-by-side and imagine how much vivid detail could be hiding in the Mona Lisa under 500 years of rotten varnish.
THE COPY HAS EYEBROWS
Your response to a beautiful piece of artwork done by Leonardo Da Vinci himself is “SHES GOT EYEBROWS”. Alright. All intelligent life has been lost.
Yo Snooty McSnotwhine, the Mona Lisa’s vanished eyebrows have been the subject of debate and analysis in the art expert community for hundreds of years, long before your parents squirted water at each other from across the clown car and then honked their bicycle horns to indicate they really wanted to make a smug, insufferable little clown baby together.
this continues to be the best reply to a criticizing comment on this site
Statues are often idealized works of art. They are ideological, political or religious representations and attempt to turn their subjects into fascinating, eternal figures. Even when erected to keep alive the memory of a single person, a statue that lasts many generations will eventually establish itself as a symbol for the community.
Statues are even more influential when they are monumental. An edifice can be said to be monumental when it is unusual, extraordinary and physically imposing. It has to be abnormal — as exceptional as the political or religious power itself — and also inseparable from its symbolic aspects.
The series “Colosses” is a study of the landscapes that embrace monumental commemorative statues.